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Portrayal of Women In Advertising

A look into the stereotypes and sexualization of women in advertising through the years

Clip from Everybody Hates Chris.

The show is set to take place in the 1980s. Consider the following quote about the culture of the 80s “The scale of feminine beauty and success widened in the 1980s and 1990s to include more variables of age. ethnicity, and accomplishment.”

Clip from That 70s Show

The show is set to take place in the 1970s. Consider the following quote about the culture of the 70s “Women appeared infrequently in the work world, as the advertised life in the 1970s was almost pure play.“

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– Molly Clarke

1980s Media:

The scale of feminine beauty and success widened in the 1980s and 1990s to include more variables of age. ethnicity, and accomplishment. ”

“The Superwoman is a multi-faceted success machine. She nurtures, seduces, and competes without pause. For her, age, gender, childbearing, and finite hours in a day are the excuses of lesser mortals for not reaching self-actualization. This "24-hour woman” emerged in the 1920s as the flapper. The woman who “has it all” reached her heyday in the 1980s, before suffering a backlash from an exhausted target market.“

from -

http://findarticles.com/p/articles/mi_m1272/is_n2620_v125/ai_19029242/pg_2/?tag=content;col1


Compare this clip to the Smirnoff ad. To me that woman looks exactly like Claire Huxtable! Advertisers saw the popularity of the Cosby show and created ads that would hopefully receive that same attention. 

1980s Advertising: “The scale of feminine beauty and success widened in the 1980s and 1990s to include more variables of age. ethnicity, and accomplishment.”
Compare this Smirnoff ad to the clip from the Cosby show. To me this woman looks exactly...

1980s Advertising: “The scale of feminine beauty and success widened in the 1980s and 1990s to include more variables of age. ethnicity, and accomplishment.

Compare this Smirnoff ad to the clip from the Cosby show. To me this woman looks exactly like Claire Huxtable! Advertisers saw the popularity of the Cosby show and created ads that would hopefully receive that same attention. 

1970s Media:
“The 1970s. Advertising continued to plumb popular culture to find selling power. Ironically, women’s lib, celebrations of ethnic heritage, critiques of capitalism, and the draw of the "natural look” all were adopted by advertising to...

1970s Media:

“The 1970s. Advertising continued to plumb popular culture to find selling power. Ironically, women’s lib, celebrations of ethnic heritage, critiques of capitalism, and the draw of the "natural look” all were adopted by advertising to bolster arguments for consumption. True individuality, it promised, could be found only in the mass market.“

"In the occasional career setting, women either were dowdy or drop-dead gorgeous.”

“Advertisers presented a schizophrenic view of what it meant to be a real woman." 

"This was a decade of steep social transition for women, and the tension between the demands of family and career was pronounced. Women’s advertising counterparts repeatedly were poised on the brink of domestic failure, narrowly saved by packaged convenience and efficiency.”

from: http://findarticles.com/p/articles/mi_m1272/is_n2620_v125/ai_19029242/?tag=content;col1

The 1970’s were about a transformation for women. It was acceptable to natural and eccentric. Refer to the Maybelline ad to see how advertisers reflected that natural look. 

1970 Advertising:
“Women appeared infrequently in the work world, as the advertised life in the 1970s was almost pure play. In the occasional career setting, women either were dowdy or drop-dead gorgeous. Advertisers presented a schizophrenic view of...

1970 Advertising:

“Women appeared infrequently in the work world, as the advertised life in the 1970s was almost pure play. In the occasional career setting, women either were dowdy or drop-dead gorgeous. Advertisers presented a schizophrenic view of what it meant to be a real woman.” The glamour gal" posed in perpetual sexual availability; the housewife was a true believer in the cult of cleanliness.“

Though the woman has makeup on, it is a subtle and natural look. Refer to the Janis Joplin images to see how advertising reflects the music and media

1960s Media “Get Smart”:

“The 1960s. The cultural cauldron of the era co-existed with an ever-expanding market. Advertising’s new sorcery had potent ingredients at its disposal. Lures of sex, youth, liberation, and personal expression strengthened the magic of consumerism.

Females of the 1960s had novel looks and wider categories of beauty to choose from, ranging from waiflike to voluptuous, sophistcated to puckish. Power and freedom were the proffered rewards for the remade woman.

The stewardess was the totem woman of the times. She combined a sex kitten’s wardrobe, a chef’s flair, a mother’s nurturing, and a working gal’s” independence. Advertising’s constant play along the erotic continuum had a harassing insistence be sexy, stay sexy, get sexier. Housewives were marginalized further by the obsession with youth, sex, and power.“ from http://findarticles.com/p/articles/mi_m1272/is_n2620_v125/ai_19029242/?tag=content;col1

This is a clip from a tv show’s of the 60s. Note how the woman woman acts. Please see the Velveta ad to see how advertisers reflected the sexualization of women in the media

The 1960s Advertising:
“The 1960s. The cultural cauldron of the era co-existed with an ever-expanding market. Advertising’s new sorcery had potent ingredients at its disposal. Lures of sex, youth, liberation, and personal expression strengthened the...

The 1960s Advertising:

“The 1960s. The cultural cauldron of the era co-existed with an ever-expanding market. Advertising’s new sorcery had potent ingredients at its disposal. Lures of sex, youth, liberation, and personal expression strengthened the magic of consumerism.

The stewardess was the totem woman of the times. She combined a sex kitten’s wardrobe, a chef’s flair, a mother’s nurturing, and a working gal’s” independence. Advertising’s constant play along the erotic continuum had a harassing insistence be sexy, stay sexy, get sexier. Housewives were marginalized further by the obsession with youth, sex, and power.”

 from:

http://findarticles.com/p/articles/mi_m1272/is_n2620_v125/ai_19029242/?tag=content;col1

Please see the TV show post to see how this ad is reflecting the media

1950s Media “The Quite Man”

“The 1950s. Advertising was staged primarily in the home, and the housewife often played the starring role. Advertising enacted dramas of romance. personal conflict, and family life. Women were the public performers of private ceremonies around middle-class commodities.”

“The decade built on the Industrial Revolution’s separation of the home from the factory and on the barriers between the daily world of women and that of men. The commercial world, where goods were produced, and the home, where they were consumed, drew gem graphically and culturally further apart.”

“In this context, advertising idealized the domestic sphere and women as its guardian. America’s nuclear family was a haven of democratic virtue against the Cold War threat.”

“Television delivered a huge, new audience to advertisers. America enjoyed entertainment and consumed commercial messages almost as a collective whole as everyone tuned into the tube.”

“The domestic icon sanitized her home not only of dirt, but of the unseemly. She carefully managed desire, biology, and social relations to avoid disrupting middle-class, sub-urban conformity. Disposable goods were her management tools and the cure for personal doubt.”

“Amidst a glut of similar products, the ad industry struggled to catch the unpredictable eye of an unwieldy and powerful female market. The women they created to sell their wares were artificial creatures with exaggerated, off-balance, and tentative poses.”

From-http://findarticles.com/p/articles/mi_m1272/is_n2620_v125/ai_19029242/?tag=content;col1

The clip shows how the man has complete control over the woman, she is simply an object. During this time women were expected to be taking care of the home and family. See the Hoover ad to see how ads reflected that stereotype. 

1950s Advertising
“The 1950s. Advertising was staged primarily in the home, and the housewife often played the starring role. Advertising enacted dramas of romance. personal conflict, and family life. Women were the public performers of private...

1950s Advertising

“The 1950s. Advertising was staged primarily in the home, and the housewife often played the starring role. Advertising enacted dramas of romance. personal conflict, and family life. Women were the public performers of private ceremonies around middle-class commodities.”

This ad shows how the image of women during this time was purely a domestic one.

5 years ago

The 1940s Media:

“The 1940s. Wartime propaganda encouraged women to labor for country and family rather than money, status. or security. Advertising urged female factory workers to keep up the glamour and the home cooking even while they were on the production line. By the wartime peak in I @,U. more than 19,000,000 women worked outside the home. When Johnny came marching home. they were fired by the thousands.”

“Advertising used images of mothers, daughters, girlfriends. and wives to embody homefront vulnerability and remind Americans cans what they were fighting for. Today, scholars debate whether these ads helped women’s status or fed a post-war backlash. Advertisers also suggested that victories could be won on the homefront through beauty and patriotic shopping.”

from-http://findarticles.com/p/articles/mi_m1272/is_n2620_v125/ai_19029242/?tag=content;col1

This clip is from Gone With the Wind and show’s the women’s role in the war efforts. Look at what they are wearing and compare that to the war ad.

The 1940s Advertising
“The 1940s. Wartime propaganda encouraged women to labor for country and family rather than money, status. or security. Advertising urged female factory workers to keep up the glamour and the home cooking even while they were on...

The 1940s Advertising 

“The 1940s. Wartime propaganda encouraged women to labor for country and family rather than money, status. or security. Advertising urged female factory workers to keep up the glamour and the home cooking even while they were on the production line. By the wartime peak in I @,U. more than 19,000,000 women worked outside the home. When Johnny came marching home. they were fired by the thousands.”

Notice how the woman in this ad is dressed similarly to the Gone with the Wind clip. 

5 years ago